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Category Archives: adult websites

The Ever-Optimistic Freelance Writer

A few days ago I had a dream that the sculpture below had been removed from where it has stood in midtown Manhattan for several years. When I encountered the sculpture again the other day, I was a bit startled; the dream had been so realistic that my mind was tricked into believing, just for a moment, that the art shouldn’t still be there; that it had been dismantled and shuttled away, leaving only a sad empty patch of sidewalk in its wake. But no, no, there it was, still standing after all!

Freelance writers keep going on hope, don’t we? And optimism.

In my case, it’s optimism about continuing at what I do best: writing, editing, and creating erotic material. Yes, I can handle other topics as well–I once wrote an article about the history of sneezing, of all things, among a goodly number of non-pornographic creations–and when I get the chance to delve into other subjects, I relish it. But I focus on seeking work in the field at which I have specialized for decades.ย 

More than ever, in this ultra-competitive economic environment, online entrepreneurs need good writing to achieve their goals. They need clear prose that can be easily understood, that can make potential customers want to reach into his and her pocket for that credit card and order a video or ebook or OnlyFans membership or whatever else they are passionately seeking.

Although I have long-term steady accounts for whom I’ve written Twitter and video descriptions for years, I am always looking for new clients on a freelance basis. So what do you need?

I write…

CLIP DESCRIPTIONS AND TITLES (Very important that they press all the right buttons to get the sales!)

TWITTER (Order a package of catchy promo tweets or I can write an entire feed)

eBOOKS (I can ghostwrite them for you under your own brand and byline and you can sell them on Amazon Kindle)

VIDEO SCRIPTS and SCENARIOS (Yes, Dommes already get these from their custom clips fans, but you can take them to a new level with a professional writer, exploring themes and ideas to bring your online persona to an even greater charisma)

COLUMNS and ARTICLES (I draw on my extensive knowledge of current porn trends, vintage erotica, femdom, mainstream movies, Hollywood history, and noir films and paperbacks)

PRIVATE FICTION COMMISSIONS (What would you like to read about–in an erotic story for your eyes only?)

BLOG POSTS (I write opinion pieces, historical anecdotes, and fiction to order)

INTERVIEWS/PROFILES (Need something for your website that will tell your fans more about yourself? I did pieces like these for the top magazines in the adult field such as Leg Show, Swank, Black Tail, Penthouse Variations, and Hustler)

WEBSITE, VIDEO, or BOOK REVIEWS (I can do these for your blogs or pay sites)

MAGAZINE EDITING (I was the editor of adult magazines like Cheeks, Girls Over 40, and Leg World)

Basically, if something has been printed on a magazine page or shown up on a screen somewhere, I’ve written or edited an example of it, or two or three or four or five hundred examples at some time or other. Scroll through this blog, or my earlier one The Horny Time Traveler here, to experience the range of my writing (and picture editing, since that was a large part of supervising adult magazines too).

Check out this link to see samples of recent work I’ve done, and then, when you know what you need, contact me at editorneilxxx@yahoo.com, or via direct message at Twitter here.

I hope to hear from you soon, andย look forward to more projects…YOUR projects, taking on new challenges, in the field I’ve enjoyed working in for so long!

—————–

P.S. Just want to emphasize once more that if you need other kinds of writing, don’t hesitate to ask about them too. Perhaps you want an article about the history of sneezing?

So I’m always ready for non-erotica assignments as well.

And now for my daily stroll to get some exercise and to contemplate the eternal truths under the great big sky over Manhattan! ๐Ÿ˜‰

Hell’s Kitchen, Tenth Avenue, NYC, September 2021; photo by Irv O. Neil

 

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Ten years of femdom erotica ebooks!

It was 10 years ago this week (June 28, 2011) that I published my first ebook, LEARNING TO BE CRUEL, after many years of writing for adult magazines, most of which have ceased publication in the last ten years due to being superseded by porn on the web.

The hand-drawn cover was a nostalgic nod to the kinky fetish booklets once sold in Times Square.

And it was at the beginning of this year that I published my most recent novella, THE SLAVE YOU WERE MEANT TO BE.

For several years now, I’ve been using photo covers instead, which I like a lot (I photo-edited magazines for almost 30 thirty years); but I have an exciting new cover project coming up, so stay tuned to this blog! I’m superstitious about reporting on new creations before a certain state of completion has been reached, but that should be soon.

So thanks for reading the 28 titles in my “Irv O. Neil Erotic Library” throughout this decade, and I hope you’ll help me celebrate this milestone by checking out a few more of my ebooks on Amazon. They’re available in all the Kindle stores worldwide. Happily, two readers, one in the U.S. and one in the UK, binged almost simultaneously on my ebooks last weekend, which put quite the smile on my frequently otherwise more moody face! ๐Ÿ™‚

Oh, and if you like psychological suspense fiction, give my full-length novel FATE OF A STRIPPER a try, which brings me up to 29 books (though it’s not part of the Erotic Library). It too is available in my Kindle stores around the globe.

Not erotica (though it has some femdom fetish elements), it’s an emotion-packed tale set in Times Square as it was right up to the pandemic.

So I hope you’ll pick up some stories to read this weekend! Just click ahead to the Kindle store here if you’re in the U.S., or check out the one in your country. Thanks again, and enjoy.~~Irv

 

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Fellatio First Freaks Out Filmgoer

The other day, when I was writing a video description of a fuck’n’suck scene and the girl was going down on the guy, I suddenly flashed to the first time I saw a blowjob onscreen. I’ll never forget it. It was at the Standard Theater on Prospect Avenue in Cleveland, where I used to go when I wanted to get away from the small town nearby where I was going to college. The school was only 32 miles from Cleveland but the bus trip took two and a half hours, and as I rode in I looked at the Cleveland newspaper which always had a sleazy ad for the adult films the theater showed. The anticipation of the sinema experience was very pleasurable. I was eighteen years old and already an aficionado of Playboy magazine and other lesser, but equally significant (to my imagination) stroke books.

When I first started going to the Standard, circa 1970, the fare was softcore. Stimulating yes, nudity yes, but no actual sex onscreen. I think the first movie I saw there was Over 18…And Ready!, a black-and-white melodrama from 1969 about a rebellious girl who wants to be an actress and whose sexual antics in Hollywood lead her to grief. I saw the movie again decades later when it was re-released by one of the cult movie video distributors, Something Weird Video.

Something Weird basically rescued the entire once-lost 1960s softcore film genre.

You can read more about Over 18…And Ready! here, and see an image collage too.

I also remember another movie I particularly found exciting was 1970’s Teenie Tulip, about some psychiatrist who was treating patients about their various sexual hangups. In one scene, a girl was sucking on a banana for, shall we say, an extended period of screen time. Most edifying to my charged-up psyche.

Much later on I learned that movie was directed by Gerard Damiano, who eventually became famous for Deep Throat and whom I met in New York briefly during my sex magazine writing days. And I only discovered last night, when looking online for Teenie Tulip references or images, that it is actually listed (title only) on the Turner Classic Movies website here. Maybe someday it’ll show up on their Friday night cult fest TCM Underground?

Anyway, the movies at the Standard in 1970 were tame, but then one day, maybe in ’71, after the softcore feature they abruptly cut to a coming attraction wherein a gigantic penis filled the screen, with a female mouth descending upon it. I recall the screen at the Standard was fairly large, so it was a huge organ indeed, pointing up maybe ten feet high, swallowed by enormous horizontal lips maybe six feet across. I was so startled by the jarring transition that instead of being turned on, I was befuddled, and almost thought I was having an hallucination–but it was real. Hardcore movies soon became the fare at the Standard. Unfortunately, the XXX films they showed in those days were not as interesting or entertaining as the softcore ones–most were pretty crude and unimaginative in the beginning–and I soon lost interest in going to the Standard. Obviously, the hardcore genre improved with age.

I became curious to see if I could find a picture online of the exterior of the Standard from the ’70s, complete with the marquee I recall it having. I haven’t found one so far (but if I do, I’ll come back and post it here) but I did find a site that shows a picture of the auditorium interior (the theater, opened in 1914, was closed in 1989 and demolished in 1995). And suddenly, from this one picture, I felt as if I were back there. The bus from college always deposited me in Cleveland around 8 a.m., so after breakfast I always got there for the first show around 10 a.m., walking down the long entranceway to the auditorium after getting my ticket from the middle-aged lady in the admissions booth. I remember sitting there, eager for the movie, amid the sparsely populated audience of other smut fans awaiting our scuzzy dreams to unfold before us.

Here is a link to the site where you can see the interior of the Standard, and many other images of it through its history.

Postscript: when I went to look for images of the movies I mentioned above, I discovered that my own blog was referenced in Google Images as I had written about the Standard and Teenie Tulip here way back in 2013! I guess I forgot! You can read that earlier post here. The film I refer to in that post, wherein an actress is asked in an audition about her “Hebrew school” acting experience, was Over 18… And Ready!, but I didn’t include the title then because I wasn’t sure it was the right movie.

 

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Entranced by Goddess Lycia

The experience of serving a dominatrix is one Iโ€™ve written about extensively in my erotic fiction here, and in my original 1997 screenplay for Masseuse 3, available here (the femdom scene is “Leanni Lei and Chloe Make Out and Enjoy Cock”; I can even be glimpsed in the scene “Sexy Chicks Eat Pussy and Finger Each Other,” as incongruous as my presence in that sequence might sound). But in real life, I have primarily explored it in roleplaying over the years in paid dungeon sessions or verbal interplay with lap dancers in strip clubs. One of the characters in Fate of a Stripper, my psychological suspense novel (available here) submits himself to the stripper of the title as his foot mistress, playing out his fetish fantasies.

But I never really felt as deeply in the past as I do in my online interactions lately–on Twitter or in emails–with Goddess Lycia. She is a unique individual, as striking in her creative artistry in photos, videos, writing, and femdom audio clips, as she is in her beauty. She describes herself on her website here as a hypnodomme and humiliatrix. She is also a lipstick domme, as she elaborates in her other site here. But her talents go far beyond these simple labels. There are her eyes, and her amazing voice, and her lips, just three of her instruments to take a susceptible male into her unique world of erotic roleplaying…and erotic reality. Her creations have a powerful resonance.

The snapshot I took below of her self-portrait, placed on my shelf, has a kind of misty quality from the morning light of my apartment…she is a stunning redhead now. The second portrait is from her earlier blonde mode that initially entranced me. Her wet blonde hair is such an evocative detail…on seeing it, my imagination informs me that perhaps she has just taken a shower after a pleasant encounter with what she likes to call an AML…Alpha Male Lover…

Originally I was going to just send the following poem to her on Valentineโ€™s Day, as a grateful admirer, but I kept fiddling with it. Or “diddlingโ€ with it? ๐Ÿ˜‰ Then I thought I would deliver it on her birthday, February 23rd, but it still didnโ€™t strike me as finished.

Finally, almost two weeks later, I completed it, and I realize that what I was trying to do, and which had been eluding me, was to capture the range of my feelings, of which adoration is but one. I can rarely say just one thing, when I am thinking two things. I think I’ve achieved that balance, so maybe that makes the poem worth sharing with others as well, who perhaps also view the femdom situation through a prism of many emotions. Unless, of course, the fog of my devotion to Goddess Lycia has clouded my literary judgment and it is verse I just should have shared with her. Is it cogent or puerile? I’ll let you decide. The key to what I am saying is in the last three words of the verse. The title is “Enslavement in Process…”

Here is a link to the previous poem I posted in her honor of Valentineโ€™s Day 2017. Four years ago! If anything, I tend to be long-lived in my loyalty to those with whom I feel any sort of real connection…I went to the same barber for over two decades, the same doctor for forty-seven years, and back in the old days of Times Square, I patronized the same fantasy booth/peep show girls for two or three years each, until I ultimately drifted away from that mode of entertainment in favor of visits to dungeons or strip clubs. Likewise with dommes or exotic dancers: if I liked someone, I focused on them for quite awhile, to the exclusion of others. When I went to the clubs, I went to see specific women, although I would always tip other dancers as well.

Goddess Lycia has dubbed me โ€œirvsieโ€ in our occasional exchanges, which is a nickname that makes me smile. I like it, coming from herโ€ฆsounds like something out of an old Esquire cartoon with an old banker being tantalized by a Petty girl type. Although I am as far from being a banker as one can get… ๐Ÿ˜‰

My journey to these interactions with Goddess Lycia has been a long, winding oneโ€ฆbut knowing her makes me feel better than usual, taking me out of my habitual gloom–as I say in the poem. You see, although the typical idea is that a dominatrix puts you below her, and Goddess Lycia can certainly do that, ironically she lifts me up as well–with an adventure of the mind, heart, and libido.

But where am I going with it all? For an answer, I think of what Theodore Roethke wrote in his famous poem The Waking:

“I wake to sleep and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

“We think by feeling. What is there to know?”

—————–

I took these photos of Goddess Lycia’s pictures to give you a sense of her charismatic presence. (It is a quirk of mine; I frequently take pictures of other pictures, as well as endless snapshots of buildings, statues, and the way light plays on the city scene.) But all her photos are copyright by Goddess Lycia.

 

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How many years have you aged during the pandemic?

In the porn movie biz, we used to joke that the stars aged in “dog years”–seven years for each human year.

I think there was some truth to that. Being a smut star could be a rough gig.

In contrast, being a porn writer can keep one young. Just imagining various titillating scenarios can make you feel you’re years, even decades, younger than you actually are. You are frisky in your mind or on paper or keyboard, and it translates to feeling frisky in your body too. Until you look in the mirror and realize you’ve been laboring under a delusion or two…

I wonder how many years I’ve aged during this pandemic? I think maybe two for the last year.

What about you?

Meanwhile, to maintain my youthful figure (figuratively speaking), I published this new femdom novella at the very end of 2020, THE SLAVE YOU WERE MEANT TO BE, here, and it’s been the fastest selling of all my ebooks in the almost ten years I’ve been publishing them (I started with LEARNING TO BE CRUEL in June 2011–you can find that one here).

Talena Vorell is one of the cruelest ladies I’ve ever written about, and her new slave is ready to follow her orders to the letter.

This novella is quite a contrast to the more romantic one I published in June 2020, SO YOU WANT ME TO DOMINATE YOU? here, about two hesitant people exploring femdom while social distancing at the height of the NYC lockdown in the spring of that year:

Although these covers are posed thousands of miles away from me by professional models I don’t personally know, it’s funny how I feel as if I do know them once I put them on the covers to embody the characters in my tales.

You can find THE SLAVE YOU WERE MEANT TO BE here along with SO YOU WANT ME TO DOMINATE YOU? and all my other 28 femdom ebooks.

Seriously, though, I’m not being flippant about the pandemic aging process or using it just for clickbait. I sometimes feel as if the stress and constriction of daily life as we weather this situation is speeding things up. Today, in fact, I felt so claustrophobic in my apartment that I had to rearrange things so I could write in a different area and give myself a sense of variety (no small feat in that I live in a studio that’s more like an office than a living space, crammed as it is with books, boxes, magazines and files).

And the arctic temperatures NYC is experiencing right now definitely add to the feeling of being “shut-in.”

Meanwhile, looking on the positive side, another good thing, writing wise, is that a website called Aborigen, devoted to the “size fetish” (wherein people dream about being miniature or gigantic for erotic purposes) contacted me at the end of 2020 to reprint a story I wrote in 1995 and that was published in the March 1996 issue of the newsstand fetish mag LEG ACTION. My original title for the story was “Mini-Man,” the magazine’s editor changed it to “Shrunken Desires,” and this site altered it (for the better, I thought, since I was never crazy about “Shrunken Desires”) to “Shrunken Delights.”

If you’ve ever imagined the possibilities of life as a six-inch tall cuckold to your gorgeous wife, check out the adventures of Andrew and Sherilyn, and their bull Ragnar–a scientist who shrinks Andrew for the good of humanity–here.

Enjoy, and stay safe.

 

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Namio Harukawa, great femdom artist, honored in Japan!

The amazing work of Namio Harukawa, about which I’ve written before on this blog here and here, was honored this year 2019 in Japan with a major gallery exhibit that had crowds lining up down the block!

“Venus Callipgye”–a term which I used frequently myself when editing CHEEKS magazine. It means “Aphrodite of the Beautiful Ass”

 

A book of Namio’s work was also published and is available on Amazon here:

Haven’t seen this volume yet, but it looks wonderful!

 

I learned all about this from a Japanese blog that, to my surprise and delight, showcased one of my own recent blog posts. In English the blog’sย  title is rendered as Bouquet for Masochism! through Google Translate. You can find it here.ย  A few screenshots:

Dealing with a wide range of BDSM and femdom topics, the blog of “Homer” (as he calls himself) celebrates artists such as Sardax, Nanshakh, and of course Namio Harukawa. Homer got to meet Mr. Harukawa!

 

 

The blog celebrates the sweet and humorous side of femdom as well as the more intense.

 

 

Here is a screencap of the post where Homer discussed my blog. It was in reference to posts the British femdom artist Sardax and I had written, on our separate blogs, about searching for dominatrices back in the day.

 

I’m proud to say I wrote an appreciation of Namio Harukawa in 1989 when, as far as I could tell, he was still virtually unknown in the United States. It was in the second issue of CHEEKS, which I edited from 1988 to 2005.

As I’ve no doubt said elsewhere on this blog, Cheeks was a labor of love for me. It celebrated the beauty of the butt, but also had a good bit of femdom elements too.

 

Here is what the article looked like in the magazine, although I added the sepia tint to post it here. The original pages were just straight black-and-white.

At this time, I was editing the mag under one of my other noms de porn, “Lester Bloom,” and I signed this article with that byline too.

 

 

And if you want to read the article for yourself, just click on these high-resolution versions of the pages below. I just redacted some outdated ordering information from the scans.

 

In the succeeding years, Mr. Harukawa’s work has become even more beautiful. I’ve only become a bigger fan. It must have been quite a thrill to see a gallery covered with his works. When you go to Homer’s blog, you’ll be able to read here, either in Japanese or in translation (which is a bit iffy, as these Google translations can be), a post about his encounter with the artist. Be sure to check out Bouquet for Masochism! It’s quite lively and full of a wide range of art and information about femdom, BDSM, and other topics as well.

Thank you, Homer, for posting about my blog. I’ve been getting an increasing number of visitors to my blog from Japan, and this is probably the reason why!

 

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Remembrance of New York City dungeons past…

Folks were recently chatting on Twitter about the differences between the online femdom scene of today and the old days, back when dungeons and dommes had to be sought out in a more stealthy manner, when most mistresses made their money by doing real-time sessions rather than having the option of concentrating on filming clips and getting financial tributes via the Internet.

My British artist colleague Sardax just did an excellent post about seeking femdom experiences over in England back in the pre-Internet days. You can find it here.

For me, back in the 70s through the early 2000s, a femdom experience (and they were always commercial ones for me) could first start with a perusal of SCREW newspaper, which featured classified ads that tempted me into the ladies’ lairs. (Yes, I know the word “lair” is a melodramatic one, but that’s what they felt like to me in my nervous anticipation of my forays therein.)

 

 

Later I discovered the fetish-oriented femdom tabloids like DOMINANT MYSTIQUE and THE VAULT, which more specifically showcased the BDSM scene, often with large, tantalizing, and beautifully done photographs. I also looked at femdom magazines which very much got me into the mood for a real-time experience.

I never had these encounters when I was in an intimate relationship with someone, though. I kept them separate. There was a wide chasm between my attempts to have a “vanilla” existence and my expeditions into the kink world.


Once I was unattached again and decided to visit a mistress, it was then a matter of finding a phone booth from where I could call anonymously to get more information about her (nobody used the term “domme” then, as far as I knew) and where, approximately, to go for the scene and how much it would cost. I was paranoid about calling some total stranger from my home phone (there was still no *69 yet to block one’s own number); and of course there were no cellphones decades ago.

Once an appointment was agreed upon, the actual location of the dungeon or private studio would only be given to a first time visitor right before coming for the session, usually by calling the dungeon from a specified phone booth across the street, where the mistress could perhaps see you on the street from a window and, presumably, size you up. Once in the dungeon or studio, you’d get undressed, hand over the fee (over the years from mostly the 1980s to the early 2000s spanning $100-200, plus a tip afterward), then discuss the scene with the mistress and get down to it. It’s been quite a few years since I last went to a pro-domme, but that’s basically the routine that I recall following.

In the years afterward, I became more comfortable discussing some of my submissive fantasies with the dancers in strip clubs, and began to get my femdom thrills during the private $20-per-song dances instead. I also had some erotic femdom roleplay in the 80s and 90s in the “one-on-one” booths in Times Square, where the customer would be on one side, the performer on the other, and you’d watch her through glass and talk to her via a telephone. Actually, those were pretty hot experiences and I should really write an entire post about them sometime. Economical, too. Those booths used to cost only about $1 a minute (designed to use as tokens the one dollar coins with the image of feminist Susan B. Anthony on them). Since the scenes usually took about ten-fifteen minutes, the cost was around $20-$25, including a ten dollar tip. Not trying to reduce things to dollars and cents, but sex history is also economic history…

Anyway, going to professional dominatrices in dungeons was a mixed bag for me. As I came to realize, looking back over the years, I never enjoyed paying for erotic experiences very much; I did it (repeatedly, of course) because I was young, horny, and the women were so physically alluring and tantalizing to me (and usually much more glamorously attractive than those I could meet in my day-to-day life); but there was no way I could rationalize the ego-deflation I felt by being a “trick” โ€”as I called myself in the spirit of being “realistic” about what I was actually doing.

You see, I never thought of myself as a “client” of a dominatrix but always as a “john.” I grew up in a conservative Midwest Jewish background (not overly religious, but sexually and psychologically uptight) and my erotic adventurousness was badly tempered by feelings of shame and guilt that I was not living up to the image of “being a good boy” with which I was indoctrinated. So I always felt there was something “wrong” with me because I had to “pay for it”–not to mention that I was paying for female domination (!), which was really considered beyond the pale thirty, forty years ago. I went to therapy for nine years and one of the topics I always brought up was how I could act more “normal.” Didn’t happen. ๐Ÿ˜‰

Now, I’m not making a value judgment about pay-for-play; in fact I am grateful for the encounters which relieved many a lonely hour; and I believe in sex work decriminalization. I am simply expressing here what I felt about my personal experiences with it. So even though I did have fun now and then, the femdom sessions I had in dungeons or, earlier, New York’s apartment brothels and massage parlors, seemed to have very little resonance in my imagination or fantasies. Instead, I mostly fantasized about women whose pictures I saw in magazines, or in videos. I also liked written erotica; art (by everyone from Stanton to Bilbrew to Harukawa to Sardax); short stories; and audio files by femdom erotica creators ranging from Keri Pentauk (of WHAP Magazine fame) to Goddess Lycia; still do. Yes, I have always been partial to the erotic world stimulated between my two ears.

Some of the best femdom experiences I ever had in real-time, real-life, were with a beautiful and very intelligent Asian-American stripper in the early 2000s who came to understand my fantasies. In a friendly yet professional way, she asked me what I liked and then indulged those preferences in verbal roleplay while she gave me lapdances in a midtown club. I did not feel paying for lapdances or drinks was as hurtful to my wobbly self-esteem as going to dominatrices or, earlier, to those apartment brothels where I first explored some of my fetish and submissive desires; so for quite a few years the strip clubs became my venue of choice to explore my submissiveness. I only really stopped when the sex magazine business in which I worked began to crumble in the wake of the Internet, and my income declined. Simply, I could no longer afford the indulgence of spending money on twenty-dollar lapdances or on the dancers’ expensive drinks.

Often when I left a dungeon I would feel glad that I had gone; it was cathartic and I usually enjoyed the encounter with the mistress. Now and then a session wouldn’t be good, but generally the ladies were friendly and decent even if the chemistry was lacking in our session. But being playfully dominated in the strip club setting became more enjoyable for me, partly because I could spend less and I ended up preferring that. Also, in the strip club, I felt as if my desires were more integrated with the rest of my lifeโ€”I just walked in, hung out for awhile, and leftโ€” whereas when I went to a pro-domme or a dungeon (or to vanilla hookers before that), I felt as if I were going into another, faraway zone (calling from a certain phone booth, etc.) and it was more stressful to me.

On trips to dungeons I only even took the bare minimum of identification in my wallet in case I was somehow going to be robbed during the session (which had happened to me in the 70s once). Maybe that was paranoid of me, but I thought I was being prudent too. And, even if the places were friendly and well-run, for me trips to dungeons or studios felt secretive and shameful; and, after I went to a couple of places that did not seem any too clean (including one very famous dungeon), possibly not all that hygienic either. And again, I don’t mean to sound judgmental; I am just describing my probably over-neurotic feelings for the sake of honesty and a sex history perspective. Looking back, I think I was overly fastidiousโ€”but returning to the subject of my background, I grew up with hypochondria and “germ-consciousness” in my family life. It’s a wonder, in fact, that I even could have even started going to hookers or mistresses at all, given my hang-ups; but one can never underestimate the horniness of the young, especially when gorgeous streetwalkers in hot pants and platform heels patrolled Eighth Avenue in its last fabled years of rich raunchiness, the ladies flaunting their wares to the lonely, the throbbing, and the susceptible.

I noticed in Sardax’s piece on this topic of bygone days (again, you can find that here)ย  that he discussed the idea of meeting people through contact ads. That was something I never tried to do; I just couldn’t wrap my mind around the idea of writing a letter to a stranger about the fantasies of sexual submission I felt so ambivalent about. That’s undoubtedly why I just focused on commercial transactions with professional dominatrices. I did once go to a meeting of The Eulenspiegel Society, the well-known BDSM group, thinking perhaps I could meet a mistress that way; but I couldn’t get into joining or participating, I was still too unaccepting of my feelings and still wishing I could be “vanilla.”

This post was difficult for me to complete. I’ve been working on it since March 2019 and only finished it because Sardax’s post inspired me to finally get it done. I wish I could have struck a lighter tone, as he did. Anyway, forgive me if I went off on personal tangents possibly unrelated to the topic, but I decided to leave them in to give you a sense of what it was like for me, one person, to deal with the fulfillment of these submissive desires in the days before the easier-to-access pervy plenitude on the Worldwide Web.

 

 

 

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Mostly kinky, but with a dash of vanilla!

You guessed it–I’m talking about my writing in the title! ๐Ÿ˜‰ We can discuss my personal life another time, or you can just read a few of my femdom ebooks to get a sense of thatโ€”my predilections, that is, if not all my actual experiences. ๐Ÿ˜ฎ

So here’s a little update on what I’ve been working on lately…

I pride myself on being a versatile erotica writer. My freelance jobs include everything from articles to fiction to interviews to reviews to video/model descriptions to social media (Twitter). And whatever other new interesting projects that come up in the ever-evolving world of erotica.

With the decline of the adult magazine business, I’ve concentrated on my online work. One enjoyable assignment recently was the copy for the webcam chatroom site MistressCamShow.com. I wrote the copy for many sites like this, but I particularly like the heading of this landing page copy, which was fun to write. Fun to read aloud, too…

I also work well with tags and keywords and SEO (Search Engine Optimization), blending them all seamlessly into the paragraphs to lift the sites in the Google rankings. The subject matter of my recent writing is mostly kinky, but with a nice hearty dash of vanilla, too: a recent project on the vanilla end of the spectrum (and I like the flavor vanilla, by the way) was writing all the copy for the excellent new pretty girl site EroticDesire.com.

 

Shifting from lovely young women in the open air to those tightly bound on the floor of a mysterious warehouse, I’ve also done a lot of video descriptions for the provocative BDSM women-in-bondage site FetishPros.com:

I obviously still like to do magazine writing when I can get it. Most adult magazines have ceased publishing, but here and there I find a print publication I can write for. Nothing like having copies of your work to hold in your hands! One of my specialties is doing interviews (I estimate I’ve done around a thousand over the years, primarily for magazines such as Leg Show, Black Tail, Swank, D-Cup, and Fox), and a recent one I’m proud of was with the online dominatrix and clip producer Princess Sheridan, in a recent issue of Forced Womanhood magazine, issues of which you can find here. This publication focuses primarily on the “forced feminization” fantasy, which I discussed with Sheridan, as well as her other femdom interests in a broad survey of her career. Here are the first two pages of the piece…Sheridan always makes me think of feisty Pre-Code Hollywood actresses like Barbara Stanwyck, transplanted to the modern world of kink. One of the most memorable people I’ve ever profiled. (Her website is here.)

 

As of this writing (early August 2018), I’m involved also in the editing of the upcoming issue of Forced Womanhood, as well as doing a very exciting new feature interview for it, about which I’ll write more in a few weeks when it hits both the brick-and-mortar and digital newsstands.

Another of my ongoing assignments is doing the daily Twitter for the femdom site DommeAddiction.com here. I write about the various dominatrices the site covers, ladies largely involved in the BDSM video clip scene. The DA Twitter can be found at @DommeAddiction here. A few samples…

 

Finally, as ever, I write and sell erotica ebooks on Amazon…Blonde Meets Bookworm is the most recent. And I continue to promote my psychological suspense novel Fate of a Stripper on Amazon too. You can find them all here at the U.S. Kindle store, and they are also available at the Amazon Kindle stores worldwide.

 

So that’s a quick update on some of the things I’ve worked on recently. I’m always ready for new and interesting challenges in my tradeโ€”erotica. You can contact me via the email address in my full portfolio elsewhere on this blog here, or via Twitter at @irvoneil here.

I look forward to helping you with your projects!–Irv

Awaiting a hamburger at the diner. Pic by my good buddy Dave!

 

 

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Oh those Leg World days!

On the fetish femdom scene there is more than a little nostalgia about the glory days of Leg Show magazine, primarily under the editorship of Dian Hanson, who has since gone on to work for Taschen Books and their line of historical erotica tomes. I wrote for Leg Show from about 1995 through around 2003 or 2004, so I got to participate in that fondly missed era with my fiction, often illustrated by the British master of femdom art, Sardax; and I did many interviews with everybody from leggy softcore horror movie scream queens to imperious dominatrices.

But from 2004 through the beginning of 2010, I was also the editor of Leg World, a much lower-budgeted magazine but one into which I poured my quarter century of experience in writing for and editing magazines, as well as my decades of fascination and personal experience with femdom and fetish.

 

To use a Hollywood analogy, budget-wise, if Leg Show was MGM, Leg World was Poverty Row. But I put my heart and soul into it, and I think you’ll see in the intensity of these typical covers–for which I selected the shots, wrote all the lines, and supervised the layout–that I gave the readers their money’s worth starting with the covers themselves. I always aimed to show enough to the readers on the covers so that, if they wished, they could have a good time with them before they even opened the magazines; and since these periodicals were puritanically shrink-wrapped for display on the newsstands, I felt duty-bound to let the customers know exactly what they would find inside…once they shot their first loads for the covers! ๐Ÿ˜‰

With my art director and talented group of contributors, both writers and photographers, a memorable magazine came into being with each issue. I didn’t have enough budget for art, or I would have asked Sardax to work for Leg World too (see his fabulous work here). Instead I illustrated fiction with carefully chosen photos from the archives.

 

So if you run into Leg Worlds at flea markets or online, take a minute and check out these lovingly crafted collectors’ items. If you’re into legs and feet and femdom, I think you’ll enjoy the mix of amazing pictorials and evocative stories. I poured my passion for editing images–I’d originally moved to New York City to get into the film business–into editing and even occasionally directing the shoots of erotic pictorials. In recent years, I’ve transferred my coverline writing passion into the writing I do for my personal Twitter and the feed for the femdom website Domme Addiction. There I happily conjugate my nouns and verbs in the service of celebrating the dominant female much as I did in Leg World.ย  ๐Ÿ™‚

 

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January 29, 2018: the 45th anniversary of my moving to New York

I moved to New York City for keeps on January 29, 1973. That was the day I got in a U-Haul with a college girlfriend and drove from the Midwest to the Big Apple, as it was popularly known back then (I don’t hear that moniker used much anymore). We arrived the next day and checked into a residential hotel on the Upper West Side, but I always date my “New York Adventure” as starting on January 29th.

Actually I’d been here the two previous summers, working part-time jobs and living at the YMHA, and with my father’s side of the family in Brooklyn and New Jersey, the area was always part of my life even though I grew up in Chicago.

I came to NYC hoping to get into the film business but when that didn’t work out I shifted to writing. Sold my first porn novel in the fall of 1974 and the rest, as the saying goes, is “history”โ€”the personal history described in many of the earlier posts on this blog.

Of course dotted throughout the city are the landmarks that have a personal meaning to me. For example, on the ever-changing 42nd Street, between Broadway and 6th Avenue, is the Bush Tower, squarely in the shadowy center of this picture…

That was the address from where such legendary “big boob” girlie magazines such as BUF and GEM were published back in the day. Circa 1978 I sent the company an article about collecting movie soundtracks, a “socially redeeming” feature as they used to be called in that era when sex magazines had to run non-erotic items to appease the censors. One day out of the blue the publisher sent me a check for $40 for the article, and I believe that was the only time in my writing career when I sold an unsolicited piece via the “slush pile.” The rest of the time I’ve written either on assignment or expressly for an editor who was favorably inclined to my work.

So every time I walk past Bush Tower I think of that lovely $40 and how nice it was to make that sale!

Nowadays of course. along with writing for porn websites and the occasional sex magazine that is still around, I’ve become a publisher of some of my own stuff, both of my femdom erotica here

 

…and of my full-length novel FATE OF A STRIPPER here. Although to my disappointment it has not sold well, I’m proud of the novel and keep promoting it, hoping it will eventually find an audience for its very New York story of the relationship between an unbalanced lonely stripper and her lonely lovestruck customer, a noir tale flavored with some passionate descriptions of Times Square and its remaining strip joints.

And as ever I continue to enjoy wandering about the city, taking pictures like the ones in this post, inspired by the surprising urban vistas just for their own sake and as possible backdrops for new fiction.

For example, I wonder what kind of an erotic story I can come up with from the picture below…as in, what fictional characters might I imagine living on this street, and how might they satisfy their lusty cravings? ๐Ÿ˜‰

 

 

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