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Category Archives: Amazon.com

What is a “Cruelty Queen of the Piano”?

Her name is Darva Chan and she is the Chinese-American concert pianist and dominatrix heroine in my 2015 femdom erotica ebook entitled DARVA CHAN: CRUELTY QUEEN OF THE PIANO.

The cover was posed by a professional model in a stock photo I purchased, yet over the years she has come to seem to me like the very embodiment of Darva Chan.

 

She mixes her love of female domination with her interpretations of the works of composers such as Prokofiev.

This is also an ebook which, I discovered this morning after doing a Google search, is probably the most pirated of my erotica. No wonder the sales are less than robust, to put it mildly. I couldn’t believe how many sites offer it as a free PDF.  😦

You might think it’s counterproductive for me to mention this pirating here, since I obviously would like people to go to Amazon to buy the book, which costs a reasonable $2.99. I mention it because I write off, as customers, readers who read pirated ebooks, or watch pirated videos. They’re not going to pay for anything anyway. They think erotica creators are supposed to be their servants and slaves, giving them stuff to enjoy for free.

No, I need people who are willing to pay for my work, and who recognize it took me many years to learn how to write as well as I do, in order to create stories that are unique and memorable.

So if you want to show your support, pay $2.99 to read DARVA CHAN: CRUELTY QUEEN OF THE PIANO.

That’s less than it cost me to buy a medium hot chocolate yesterday at a coffee shop, something that was gone in 30 minutes.

You have an ebook to keep and re-read and savor over and over again. All for $2.99.

Here is a free sample. The book is available at Amazon stores worldwide. Thank you, and enjoy.

 

P.S. If you have any trouble accessing the free sample on your phone or device, the direct link to the Darva Chan page is here.

 

 

 
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Posted by on November 15, 2019 in Amazon.com, ebooks, Erotica, Femmes Fatale, Kindle

 

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Would you lick the dirty bottom of a domme’s shoe?

It’s hard to believe I wrote this four years ago…a lot of it in a spiral notebook sitting outdoors at Lincoln Center and drinking coffee.

I thought about this story for a couple of years, had two false starts, and then finally it fell into place. I think in some ways it’s one of my most personal tales, even though it is a total piece of fiction, completely fabricated from out of my twisted mind.

The cover was posed by a professional model in a stock photo I purchased, yet over the years she has come to seem to me like the very embodiment of Darva Chan.

I mostly write on the computer, but I like to write by hand as well.

 

I’ve thought about doing a sequel but, although I have a cover picked out, I never seem to get around to it. Maybe I said all I had to say about Darva and her virtuoso methods of pain and piano in this novella. I’m not big on sequels anyway. I only wrote a sequel to LEARNING TO BE CRUEL because my British artist colleague Sardax did a painting of its domina character, Miss Meirong, that suggested a further direction for the story. Yet, maybe someday, I’ll see what Darva has been up to these last few years…

In any case, I love classical music as much as femdom and in DARVA CHAN I got to merge them both. And this cover is one of my favorites.

The story also addresses the question of whether her slave, otherwise devoted, will lick the dirty bottoms of her shoes. He is reluctant because it doesn’t seem too sanitary to him…well, Darva and her minion Jason come to a compromise on this. Read it and see what you think. Be sure to listen to Prokofiev’s 7th piano sonata as you do…or, as Darva calls it, “The Femdom Sonata”!  You can get the ebook here. And you can listen to the fabulous virtuoso Yuja Wang play the last movement of the sonata here. Savor the music and look at the Darva cover, letting yourself sink into the intense world of her eyes. See where the combination of image and music take you!

 
 

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“KNOW WHERE YOU BELONG”…stern beauties help their slaves to never forget!

My latest femdom fiction ebook is available now…

 

You can read more about it here!

Available at Amazon Kindle stores worldwide. Read it on your phones, tablets, computers and Kindles.

It’s selling faster than any of my recent ebooks. So far readers in the U.S., the UK, Germany, Canada, and Australia have scooped ’em up. So get yourself a copy of this collection that’s like a box of chocolates for your erotica palate, kinky tales for femdom fun and pleasure!

It may have inspired someone to also pick up a copy of my earlier collection of short stories, SPELL OF DOMINANCE, here.

Enjoy! 🙂

 
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Posted by on July 25, 2019 in Amazon.com, ebooks, Erotica, Kindle

 

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The pornographic potency of pinups…

We tend to look on vintage pinups from the 40s through the 60s via a nostalgic rose-colored lens, but what is forgotten is that these charming and skillfully rendered images were regarded in many quarters as pornography in their day. Nobody talked about masturbation openly in the peak era of Gil Elvgren, George Petty, and Alberto Vargas, but these pictures undoubtedly inspired many a spurt of lust.

I was reminded of this by a beautiful Elvgren pinup posted on Twitter by GracePheesh here and here, who frequently posts the delightful work of this fantastic artist. At first glance this is classic Gil, leggy, flirty, and the colors beautifully balanced to give the most sensual and pleasing impression…

But I was reminded of the pornographic potency of this pinup by the coincidence of seeing a woman display herself just this way on July 4th, the day before I saw this pinup online. On Independence Day I was sitting in a park in midtown Manhattan, enjoying a cup of coffee, when a woman about thirty sat down at a table with her boyfriend or husband. I believe they were European tourists. They were about twenty-five feet away from me. The woman had honey blonde hair and tawny skin, and wore a colorful and flowing dress that looked as if it were a giant kerchief which had been designed as a garment. When she sat in her chair, she leaned over and it was hard to miss the deep cleavage of her breasts in the low-cut decollete.

She and her man were about to eat breakfast sandwiches. But before she began to eat, she hiked up the skirt of her dress very high, presumably (I figured) because it would drag on the ground when she was sitting. The revelation of her thighs was startlingly erotic: they were lush and golden, and her curvaceous legs tapered down to bare feet which were on tiptoes in her flip-flops as she sat.

What struck me immediately as a coincidence was that she wore pink nail polish on her toes and fingers, which was the same shade of light pink that I had used the day before (on July 3rd) in designing the logo for a new femdom erotica ebook cover.

The revelation of her thighs is exactly replicated in the pinup above, which I saw on July 5th on Twitter.

She didn’t keep her thighs uncovered long; perhaps no more than a minute. Then she lowered the skirt, perhaps deciding to tolerate the hem touching the asphalt. I don’t know if she’d seen me looking at her; our glances never met, for which I am glad. I was in no mood for her to see my admiration; her man was bulky, muscled, and heavily tattooed. Ogling, I sensed, could have been met with conflict, even though it was hard not to want to look at her.  I mostly returned to my newspaper with only an occasional glimmer of yearning surveillance out of the corner of my orbs, even as a few minutes later some friends joined them and, finishing their breakfast (the woman devouring her long sandwich wrap with gusto), they all wandered off further into the park.

But wow! The baring of her thighs was startlingly exciting, a moment of lush tease. Whether such tease was unintentional, merely the result of a utilitarian lifting of her skirt from the sidewalk, or a moment of conscious or unconscious flirtation (perhaps she had seen my gaze of appreciation and wanted to torture me—and any other nearby thigh-gazers—with her unavailability), it was instantly cemented into my memory bank, and was reinforced powerfully when I saw the Elvgren pinup.

As well as when I saw the pink logo of my upcoming erotica ebook, just like the color of her toenails…

The whole situation could be the beginning of a fictional story of erotic cuckolding: a woman tantalizing a solitary middle-aged stranger in the distance in the park and then going off with her own man, leaving the stranger to think…dream…and then write a blog post about it! 😉

No, only kidding; an actual piece of erotic fiction about such a cuckolding would require a little more action than the aching ogler just sitting at a laptop later and blogging away the frustration!

In any case, I’ve chosen to blog, this time, instead. Plenty of other opportunities for cuckolding tales, of which I’ve written a number…see my Amazon store here

 

…and is a theme touched upon in the new book as well. I’ll be announcing its title very soon.

Back to the pinup: note the perky nipples pressing against the blouse of the Elvgren girl, too—an unusually explicit detail for this artist, who was oftentimes a bit more subtle or didn’t allude to stiff nubs at all.

So the next time you hear someone talk about the “innocence” of vintage pinups…well, just remember that their potent pulchritude could inspire the most throbbing daydreams! Just like the things that happen in real life sometimes… 😮

 

 

 

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Elizabeth Taylor and The Cleavage of Cleopatra…

Elizabeth Taylor’s epic starring vehicle Cleopatra came out in June 1963, but I didn’t see it until 1964, for a fifty cent ticket on its third run in a small theater on the North Side of Chicago. I was almost thirteen years old. I remember thinking the movie was pretty good, even though people had said negative things about it. And I remember saying at the time that fifty cents was really a good price to pay for a four hour trip into the ancient world!

I hadn’t seen the whole film again since, so when Turner Classic Movies ran it the other night I gave it a watch from start to finish. I enjoyed it, although I didn’t think it was a great film. But its mix of politics, romance and spectacle was absorbing.

But what most struck me now was how it was quite a showcase for Taylor’s cleavage.

The admiring fellow is, of course, Richard Burton as Mark Antony.

I wonder now how that cleavage affected me back in 1964. Cleavage displayed like this was not something that I saw much of growing up in the sexually conservative Jewish middle class neighborhood of West Rogers Park. So the constant focus on boobie vistas in Cleopatra may well have blown my mind at that tender, impressionable age. As it also did in June 2019 when I watched the film again from beginning to end.

As Cleopatra gives Caesar daring political advice, Mark Antony (out of frame) falls for her hard.

Now I can’t help but think that Cleopatra may have had something to do with my utter fascination with cleavage in recent years, a fascination which really didn’t start until I was in my late forties/early fifties after I got an amazing lapdance from a stripper with two utterly beautiful large natural breasts. Until then, I think a fetish for cleavage existed “underground” in my subconscious, and I’m not sure of the reason(s) why. Perhaps the ubiquity of cleavage in the media and on the street nowadays is what brought it back to the surface for me, big time.

Cleopatra in her regal finery, cleavage dazzlingly displayed!

 

In any case, I therefore conclude that perhaps my long-ago viewing of Cleopatra on that fifty cent ticket (plus a dime for buttered popcorn) had something to do with my writing of femdom erotica ebooks like this one…available on Amazon here…try the free sample just by clicking…

One of my best femdom ebooks. Yolanda is charmingly merciless with her “boob for boobies,” the haplessly cleavage-addled Orwell Jarvis.

 

…and the imprinting of Cleopatra’s CleavageScope (oh, that’s just my silly invented word!) probably had something or other to do with my ever-burgeoning admiration for the gorgeous and b-b-busty Goddess Lycia, about whom you can learn m-m-more here. And I want to emphasize that her talents are by no means limited to her sharing tantalizing glimpses of her, um, her c-c-cleavage, but are but one aspect of her entrancing hypnodomme erotic powers as conveyed through her skillful writings, striking images, intoxicating videos, and especially her mind-enrapturing audio files. For adults only, of course.

Goddess Lycia is a true Mistress of the Selfie as well as of men’s minds.

 

Back in the early 2000s, there was a magazine entitled Cleavage put out by one of the publishers I worked for. It never seemed to hit big, perhaps because the magazine showed full bare breasts, instead of obsessively concentrating on the tease of cleavage alone. Although it probably wouldn’t have been practical on the marketplace to do an adult magazine without showing some bare tits and nipples, I would have photo-edited it very, very carefully to emphasize tease over exposure and nudity. And given the way I feel about cleavage, it might have been a success like the other fetish magazines I did for many years: the ass-crammed Cheeks (1988-2005), the toe-and-sole utopia of Leg World (2004-2010), and the mature ladies sexual paradise of Girls Over 40 (1988-2008).

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Images of Goddess Lycia are ©GoddessLycia and used by courtesy of Goddess Lycia. Screencaps of Cleopatra, 1963, by yours truly. And the photographer’s credit for my ebook Rule By Cleavage is prominently displayed right on the excellent cover above.

 

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READ ABOUT THE STRIPPER…who loves her own way!

For your spring and summer reading pleasure, get your copy now! Only $2.99 on Kindle, available at Amazon stores worldwide, and you can read it on your phones, ebook readers, computers and tablets.

Enjoy the free sample (link below the cover) and read some of the reviews…

Review by P. Slim:

Review by Kandy Kane:

And the latest review from famed dominatrix SpoiltPrincessG. Check out her site here for more! Adults only, please.

She enjoyed it so much that…she’s going to read again on her next trip! I’m in good company as some of her other favorite authors are Anne Rice and Charles Dickens…

So it’s about time…for your own FIRST TIME …with Valerie…in FATE OF A STRIPPER.

A novel of psychological suspense!

 

 

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Jane Dickson’s art reminds me of lively lonely nights in sleazy old Times Square…

I recently caught up with “All That Is Solid Melts Into Air,” an exhibit of paintings by Jane Dickson which bring to life the Times Square of the old sleazy era in the 80s and 90s. Her style is her own but its impact reminds me of Edward Hopper’s, evoked primarily through urban night scenes; as in Hopper’s works, deserted streets and places have a loneliness that’s not entirely sad, but also thoughtful, introspective, almost peaceful, and sometimes even inviting—as in this picture of a guy with a placard for a club called Dreams (I vaguely remember that club’s name, although I don’t remember if I ever went there)…

Jane Dickson: “Dreams” 2018

Dickson’s paintings in this excellent show at the James Fuentes Gallery on NYC’s Lower East Side (on display through February 17, 2019) feature a woman’s face looking through noirish Venetian blinds; a boy at a bus stop in an ominously red full face mask; a girl dancing in peep show with a customer on the other side (we get the peep show’s window eye view)…

Jane Dickson: “Peep,” 1992-96

 

There’s a painting of a low angle on a woman navigating a baby stroller down a stairs; the front of the big Peepland that was situated mid-block on the south side of 42nd between 7th and 8th Avenues; cops running on the street in some kind of frenzied police action; an evocation of the Terminal Bar that used to be (if I recall correctly) at 40th and 8th Avenue; and my favorite painting, showing a long hallway leading to the “employees only” area of a strip club, with a solitary half-naked dancer, almost out of eye view, leaning against the wall–you can almost imagine the rasping sound the linoleum would make beneath her high heels…

Jane Dickson: “Employees Only,” 2000

The colors of Dickson’s paintings and their varying sizes suggest indirectly a complex mix of personal emotions, those of the painter or (more vaguely) of the subjects of the pictures, just as Hopper paintings do for their era. One painting I also particularly liked, and one of the largest, was a vertiginous angle on the stairway/escalator leading downstairs in the old Nathan’s Hot Dogs that used to be at 43rd and Broadway…

Jane Dickson: “Nathan’s,” 1984-86

I went down that stairway many a time to eat a frank in the forlorn expanse of the lower level dining room (I lived in Times Square myself in the 80s, only a few blocks up).  This painting in particular reminds me how the old raunchy neighborhood (I never called it “The Deuce” myself back in the day) might have made you feel lonely, or was a place you went to hang out when you were already feeling lonely (or horny); but it didn’t necessarily make you feel ashamed of being lonely (or horny), as the new overly technological tourist-filled Disneyesque miasma of 21st century Times Square does for me. Once you were allowed to sit in your solitude in Times Square, perhaps feeling forsaken but not defective for not having a wife or family in tow; knowing that you could find distraction only steps away in any number of strip clubs or peep shows or in library-like adult bookstores where you could stand wordlessly side-by-side with other strangers and browse through assemblages of erotica that sometimes, depending on the particular store, could appear to the scholarly-minded almost Smithsonian in their range. After all, it was in places like this that I found rare mint copies of the original John Willie BIZARRE magazines from the 1940s, at prices so low it was clear the merchants had no idea of the value of what they were selling.

So if you have a casual interest, a deep nostalgia, or a fascinated yearning for the bygone Times Square depicted in HBO’s series The Deuce (see my own thoughts on the show here), check out Jane Dickson’s beautifully evocative paintings at the James Fuentes Gallery, located at 55 Delancey Street. Here is a link to more info, and another link to an interview with Ms. Dickson and a preview of the paintings. Also check out this interview by Ben Yakas in The Gothamist on the occasion of the publication of her book of street photography and art, Jane Dickson in Times Square, which you can find on Amazon here.

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Postscript: It’s funny, but I just realized, in looking this over as I was editing, that my selection of the pictures to illustrate this review really evokes a typical night for me back in the 80s or early 90s. I didn’t assemble the pictures consciously with this in mind, but studying them now I see how they match the pattern of my many lively lonely travels through Times Square. Seeing a guy advertising a club, I might have gone to the venue, or maybe first to a peep show, then to the club; later, in the strip joint and having had a few beers, I would invariably head to the men’s room and might well have seen a dancer having a cigarette back near an “Employees Only” area; and finally, having had my raunchy fun at the club (or even been disappointed, as could frequently happen), I’d stop at Nathan’s for a hot dog and Coke…a meal that could be lonely, yes, but also satisfying in a quasi-Romantic “I’m a lone wolf” kinda way…  😉 You know, “lone wolf” as in David Janssen in the great old 60s tv series The Fugitive? Except that I was probably just running away from having to spend too much time alone with myself…

But that’s the subject for another post someday.

 


All examples of the paintings shown here are by Jane Dickson, as displayed at the James Fuentes Gallery NYC January 16 through February 17, 2019.

 

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