As somebody who has written about the foot fetish in fiction, journalism, and horny photo set copy since 1975, I consider myself an expert on the topic. I wrote for Leg Show and Leg Action magazines, I wrote and edited Leg World; and of course I am the eminent author of Toes Are For Sucking, available in the Kindle Store at Amazon…and I write web copy each week for HotLegsAndFeet.com.
My experiences with hookers and dominatrices over the years further enriched my knowledge of the commanding beauty of women’s feet.
In a scholarly vein, therefore, I’m always looking for new examples of art, photography, fiction and film which touch upon this topic.
So I was delighted while drinking my morning coffee on Wednesday 1/21/15 to open the New York Times and see this photo by Sara Krulwich, illustrating a review of a new play by Halley Feiffer, I’m Gonna Pray for You So Hard.
I am sure this photo was clipped by many foot lovers for private study and analysis.
The character portrayed in the photo is described in Charles Isherwood’s review as “a self-confident woman…Now all razor edges, where before she was a puddle of anxiety…Ella has…come into her psychological inheritance, barking vicious orders at underlings…and preening over…her new success.”
Sounds like a bit of an informal “dominatrix-in-daily-life” situation to me.
But it’s the photo, even more than the prose, which sealed the deal for my brain and sac. At first, reading the review, I wondered who the character in the picture was, because Ella is indeed at first evoked as a “puddle of anxiety.” But coming into her own, she becomes a different Ella from the beginning of play, and her new dominance is visually conveyed through the primal authenticity of beautiful bare feet sculpted dramatically by the slanting light, even as she purses her lips in cruel authority and holds yet another popular symbol of female domination, the cigarette, lest we have any doubt that this female could eat thumb tacks instead of Cheerios for breakfast. And, perfectly complementing Ella’s aura of inexorable command, the figure of the man exiting right looks defeated.
Defeated by The Woman, as symbolized by her lips, cigarette, legs, and feet. Oh, and that upraised right hand looks ready to swat away any mere fly of an underling who upsets her. This is a timeless image indeed! It could take place in any century.
So bravo to the Times for splendid foot fetish femdom eroticism in a single masterful theatrical image, captured by the skill of photographer Sara Krulwich. The actress is Betty Gilpin, and actor on the right is Reed Birney. This is one for the scrapbook!
For an extra treat, check out the full review online at the Times here, where you’ll also see the extra dimension of vibrant color. What a vixenish red dress she wears!
And seriously, check out Toes Are For Sucking too. You’ll be glad you did.